|MPAA Rating:||Rated PG-13 for some thematic content and brief sexuality|
|Alcohol/ Drugs:||Alcohol, smoking|
|Violence/ Scariness:||Tense family confrontations, domestic abuse, illness, sad death|
|Date Released to Theaters:||June 24, 2017|
|Date Released to DVD:||October 10, 2017|
Maudie Lewis was severely disabled and abused. She lived in a tiny house with no electricity or running water in the unforgiving climate of Nova Scotia. And she decorated her tiny world with vibrant, joyful images that captivated the people who came to her door to buy them, usually for as little as $5. Her home, the walls covered with bright flowers and birds and cats painted over 35 years, is now seen by art lovers in the museum where it has been lovingly preserved, and she is recognized as one of the foremost “outsider” (untrained) artists of the mid-20th century.
In “Maudie,” the infinitely gifted Sally Hawkins gives an incandescent performance as the woman whose indomitable spirit shines through her art.
After her parents died, Maudie lived with an aunt who treated her with contempt. She left to take a job as a live-in housekeeper for Everett Lewis (Ethan Hawke), a fisherman taciturn to the point of being a recluse. “You walk funny. Are you a cripple?” he asks bluntly. And he tells her that she comes after the dogs and the chickens in importance. And that he expects her to sleep in his bed as a part of the job. When he wants more, she tells him that he must marry her, and he does.
With some leftover house paint, holding the brush in her arthritic fingers, she paints a flower on the wall. And surprisingly, Everett does not disapprove; he only tells her to leave one section of the wall alone. A summer visitor from the US spots one of her paintings and brings it back to New York. Vice President Richard Nixon buys one, too. Everett is glad for the income and worried that Maudie will become independent and leave him.
Director Aisling Walsh insisted on filming on location and created a meticulous replica of the tiny Lewis home, and the setting itself, bleak and beautiful, with minimal musical score becomes a character in the film. So do Maudie’s pure, simple paintings, expressing her unquenchable joy in observing the world around her and in expressing what she sees. Hawkins is a marvel in every scene; like Maudie herself, she commits herself completely to the creative spirit.
Parents should know that this film includes sexual references and situations, references to out of wedlock child, mistreatment of disabled character, and a sad death. Characters drink and smoke.
Family discussion: Why did Everett tell Maudie not to paint one part of the wall? Why did he change his mind about selling the painting she said was not finished? What was happiness to Maudie?
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