Fantasy peril and violence, characters injured and killed, monster
Date Released to Theaters:
August 18, 2017
For generations, there have been children who have had more fun playing with the box than with the toy that came inside. The reason is easy to understand: a blank box puts no limits on imagination. It can be a clubhouse, a rocket ship, or a submarine, or all at once. It needs no batteries and there is no technology to break down. There’s no disappointing discovery that what looks cool on the commercial does not actually work. Cardboard can be anything and imagination can take you everywhere.
That is the theme of “Dave Made a Maze,” both the story on the screen and the story of the movie itself. Annie (Meera Rohit Kumbhani) comes home from a short trip out of town to find her boyfriend Dave (Nick Thune) has taken over their living room with a cardboard maze, or, rather, a labyrinth so intricate that he is literally lost inside it. Like the TARDIS, Dave’s construction is bigger on the inside. Annie grabs some friends and a box cutter and goes inside. A film crew led by their friend Harry (James Urbaniak) comes along to document (and sometimes shape) the adventure.
Co-writer/director Bill Watterson (not the Calvin and Hobbes cartoonist) has created a slacker/artisanal “Cat and the Canary” or “Ghost and Mr. Chicken,” a comedy/horror film with real stakes and deadpan delivery, all the funnier for being so understated.
The star of the film is unquestionably the maze/labyrinth itself. Production designers Trisha Gum and John Sumner, clearly having the time of their lives, worked with the genius artists of the Cardboard Institute of Technology to create an endlessly inventive world, enchanting, spooky, hilarious, and, when you don’t expect it, pretty scary. Just because the blood is made of yarn and paper, we learn, does not mean it is not real. On the other hand, one labyrinthian portal somehow turns the characters into paper bag puppets, a transformation which thankfully turns out to be temporary. Dave’s maze, a manifestation of his frustration at not having a job that fulfills him, turns out to have a malevolent sentience he and his friends have to battle. Having different artists work on different rooms and corridors adds to the continuous surprise and disconnect, with one section looking like a mock-up from “2001,” another sporting origami birds, and others playing with perspective and space. I was especially taken by the intricate cardboard mechanics underneath one space, with several others hinting at an even more expansive and complex cardboard world.
Part of the film’s charm is the way Annie and Dave’s friends immediately accept the premise and just go for it. But what makes this one of the most imaginative films of the year is the way it makes a virtue of its micro budget. Like Dave himself, the filmmakers have found what the cheapest materials can do better than the most sophisticated animation equipment. They’ve created a tactile environment that puts no limits on their imagination or ours.
Parents should know that this film has very strong language, fantasy peril and violence, a monster, and characters who are injured and killed.
Family discussion: Which was your favorite room in the maze? Why did the maze get out of control?
If you like this, try: “Safety Not Guaranteed” and “Coherence”
Some peril and violence, prison riot, illness, explosions
Date Released to Theaters:
August 18, 2017
Steven Soderbergh, gifted us with the delectable champagne cocktail “Oceans 11,” a sophisticated improvement over the Rat Pack heist film set in Las Vegas with Frank Sinatra and Dean Martin. His new film, “Logan Lucky” is “Oceans 7-11,” a hillbilly heist, a redneck robbery.
The setting is Appalachia. Instead of a Las Vegas casino, the target is a NASCAR race track in Charlotte, North Carolina. But once again there is an all-star cast, a wickedly clever plot, wonderfully engaging characters, and delicious humor, with one “Game of Thrones” joke that is by itself worth the price of admission. The credits cheekily inform us that “Nobody was robbed during the making of this movie. Except you.” Even more cheekily, the credited screenwriter does not seem to exist. But that is all part of the fun.
Channing Tatum plays Jimmy Logan, a good-hearted man from West Virginia who is down on his luck. His ex-wife (Katie Holmes) has remarried a wealthy car dealer and they are planning to move to Virginia, taking his daughter with them. He has just lost his construction job, not because of his performance, but because his old leg injury is considered a liability risk. His bartender brother Clyde (Adam Driver), a veteran who lost his hand to an IED, insists that the Logans are all just cursed with bad luck. Their sister Melly (Riley Keough), a hairdresser, is more optimistic — also very smart about cars and a few other things, too.
Jimmy needs to make some changes in his life. So he makes a list of everything he needs to do to rob the racetrack. It begins: “1. Decide to rob a bank. 2. Have a plan. 3. Have a backup plan. 4. Establish clear communications. 5. Choose your partners carefully.”
As in any great heist film, Jimmy then assembles his team, though perhaps “carefully” is not the way to describe what happens. Foremost is explosives expert Joe Bang (Daniel Craig, with a bleached blonde crewcut, an impeccable Southern accent, and a ton of attitude). Unfortunately, as he informs them, he is “IN. CAR. CER. ATED.” But Jimmy has a plan. Joe agrees but insists that they include his two dimwit brothers (Brian Gleeson and Jack Quaid).
Also as in all great heist films, even the best-laid plans have to go wrong, so there are many unexpected developments along the way. The fun of these films is the problem-solving before the big day, with careful planning, and then the problem solving on the big day as, well, take a look at Logan’s item #3, and another reminder later on that things will go wrong. The movie has fun with the characters, but not at their expense, at least not at the expense of the heroes/anti-heroes. It doesn’t treat them like hicks or rubes.
Keough is a standout and Craig is a complete hoot. There are small gems of performances along the way, including Dwight Yoakam as a prison warden and Katherine Waterston as a health care provider. We’re as much in the dark as the FBI investigators (led by Hillary Swank), and right up until the last minute we are not sure of exactly what happened. But the answer is a total delight, as is the cast, all having way too much fun.
Parents should know that the film includes strong and crude language for a PG-13, tense family confrontations, some disturbing images, an amputated limb, references to war casualties, fights, and peril (mostly comic).
Family discussion: What was the most important item on Jimmy’s list? What did he forget?
If you like this, try: “Welcome to Collinwood,” “Out of Sight,” and “Oceans 11″
Rated R for strong violence and language throughout
Extended very strong language
Brief nudity, prostitute, sexual references
Constant peril and violence, guns, explosions, assault weapons, chases, car crashes, knives, many characters injured and killed, many disturbing bloody images
Date Released to Theaters:
August 18, 2017
If they’re not going to waste time coming up with a story, I’m not going to waste time trying to explain it. The title says it all. There’s a hitman named Darius (Samuel L. Jackson). There’s a bodyguard named Michael (Ryan Reynolds). They have a history. And they quip, shoot, and punch their merry way through a buddy-cop action comedy so generic it may have been created by algorithm. More thought went into the various set-pieces, the chases, explosions, shoot-outs, and hand-to-hand combats than into the story, something about transporting Darius to the Hague so he can testify against a dictator charged with genocide.
This may not be the moment for violent and lethal mayhem as lighthearted summer fun, including the execution of a man’s wife and child as he watches in horror. A lot of heads explode when they are hit by bullets and the fact that we don’t know most of them because they are all faceless guys in riot gear does not make a difference. So, stipulating that the premise is dumb, the plot makes no sense, the genre has been played out endlessly over the years, sometimes worse but sometimes much better, including with these two actors, and that it is especially dispiriting to see Salma Hayek wasted in a silly spitfire role, I will share a couple of thoughts about the two stars.
Ryan Reynolds: I don’t know why you would want to give this movie any more of your time, but if for some reason you sit through the very long credits (lots of locations, lots of stunts), you will see a brief extra scene that will give you an idea of what a talented professional Ryan Reynolds is. He had just one job in that shot, to have a particular facial expression that matched the expression in another scene. He was ready to go when the shooting had to be held up because loud church bells began playing nearby. We hear someone from the crew yell out that they are holding for the church bells, and we see Reynolds hold that expression and that mood as the bells keep ringing and then keep ringing some more. He keeps it together for an impressive length of time, then finally gives up, wipes his eyes, and makes a quip. But it gives you a sense that even in a silly shoot-em-up like this piece of forgettable fluff, he holds himself to the highest standard. Also, the character here is designed around his strengths. He is at his best when he is playing a decent guy who is frustrated and snarky. The script doesn’t give him much to work with — the yadda yadda about his triple A rating is especially tiresome and the romantic complications are inane. But he makes the best of it with great timing and essential decency.
Samuel L. Jackson: Lord knows, he could phone it in by now. He’s done this exact role more times than even he can count. But he brings it, snapping out every one of those MFs like he’s been waiting to do it all his life and creating a character with no help from the script. He even has to sing. One smart move made by the screenwriter is giving Darius two impediments, one emotional, one physical to make it believable that Michael could be a match for him. Kind of like in “Batman vs. Superman,” when they had to kryptonite-ize Superman but not too much to make it an even fight.
Someday, when this movie comes on cable, just check it out long enough to see not why we pay these guys the big bucks but why they’re worth it.
Parents should know that this film includes constant peril and violence with chases, explosions, shoot-outs, assault weapons, knives, various other weapons, many characters injured and killed, graphic and disturbing images including bloody wounds and heads exploding, very strong language, drinking, drugs, brief nudity, and a brief glimpse of a prostitute.
Family discussion: Who was right about what makes a bad guy? Why was it hard for Michael to believe Amelia?
If you like this, try: “Midnight Run,” “Mr. Right,” “Die Hard with a Vengeance”
This looks delightful! And yes, that’s Patrick Stewart in a wig.
Now-retired film star Eve Wilde (Glenn Close) prepares for her wedding to husband number four, renowned English writer Harold Alcott (Patrick Stewart), after a whirlwind courtship. At her upstate New York home – in the presence of both Wilde’s first husband, celebrated stage actor Laurence Darling (John Malkovich), and their collective families (Minnie Driver, Jack Davenport, Yael Stone, Peter Facinelli, Noah Emmerich, Grace Van Patten) – the long summer weekend offers the opportunity for everyone to get to know each other a bit more intimately. As sexual sparks begin to fly, there are unforeseen consequences abound.
A few years ago, it was the number 9 that popped up in a bunch of movie titles. This year, it’s the word “wonder.” Two are based on best-selling, award-winning books for children, Wonder, by R.J. Palacio, the story of a boy with a facial deformity who enrolls in public school for the first time, and Wonderstruck, by Brian Selznick, which has two parallel stories, one in words, one in pictures. The third is “Wonder Wheel,” from writer/director Woody Allen, starring Kate Winslet and Justin Timberlake.
Oh, and the summer’s biggest box-office hit was: “Wonder Woman.”
I wonder what’s coming next!
NOTE: Thanks for the reminder! Another upcoming film is “Professor Marston and the Wonder Women,” based on the remarkable real-life story of the man who created Wonder Woman (and invented the lie detector!). It looks, well, wonderful.